cast and crew
director's notes
directed by                                              PHILLIP VAN
written by                                              SIMON BIGGS
produced by                          CORDULA KABLITZ-POST
cinematography by            FELIX NOVO DE OLIVEIRA
edited by                         DOROTHEE BROCKELMANN
Jane                                               NICOLETTE KREBITZ
Paul                                                       WANJA MUES
delivery women                                   JUDITH ROHDE
                                            ANNA SCHENK-ROLLMAN

production manager                              INA GÖRING
production assistant STEFAN KÖLLNER
set manager HANS-HERMANN SCHULLER assistant set manager LARS LUCAS accounting IRIS ZINKE casting by SIGRID EMMERICH assistant director MEIKE GÖTZ
script supervisor ANKE LUTZE
1st camera assistant JAN PRAHL
2nd camera assistant OLIVER MENEBRÖCKER
gaffer                                           ROBERT BERGMANN
best boy                                         CHRISTIAN ANTERS
electrician                                        JOHANNES LOUIS
dolly grip                                        SVEN BRINKMANN

set designer                            ALEXANDRA PILHATSCH
set decorator                                 MARCO MINIERSKI
prop master                                        DIETMAR RITTER
carpenter                      NEW WAVE FILMKULISSENBAU

graphic design                               KATHARINA COEN
storyboards by                            CRAIG CARTWRIGHT

costume designer                                     PETER POHL
costume assistant                                  NINA TRAISER
make-up artist                               MARIE-LUISE ADLER
make-up assistant                       JESSICA SCHUMANN

original music by                             DANIEL DICKMEIS
music programming            NICOLAS NOHN ICKMEIS
sound recordist ANDREAS MOHNKE
boom operator DANIEL RAU
driver CHRISSY MANDEL
still photographer JULIA POHLMANN
main and end title design INGA ZWICK LARS BEYER
colour grading JENS BEYER
digital post effects STEVE HIAM
MICHAEL HOSENFELD
sound supervisor JULIAN F. KRÜGER
sound design HOLGER MÜLLER
re-recording mixer MARTIN GRUBE
re-recording engineer MATTHEW POLIS
postproduction coordination ESTHER REINECKE
postproduction assistant FLORIAN STÄRK
online editor MIKE NUGET copyright by AVANTI MEDIA FICTION 2007
High Maintenance tells a personal story about the power struggle in a relationship through the high-concept conventions of the sci-fi genre.

I aimed to make a film about the future but emblematic of our era. As a result, High Maintenance touches upon serial monogamy, consumerism, and "personalized" new technology in a world that is more linked than it has ever been, yet somehow also more disconnected. The film hopefully brings to light a condition that is uniquely human.

High Maintenance was made in a single week. 2 days of shooting, 3 days of editing, 2 days of post sound and color. These limitations were to keep output high and costs to a minimum. Needless to say, it was a busy week.

I wanted to make the quality and standard of a short that would typically take three to six months from production to post. That was the energy in the air and it was my cast and graduate student crew's mutual goal and expectation.

When it screened for the 520 filmmakers who composed the largest jury at the Berlin Film Festival, we had finished our work on it in post-production less than an hour before.

I am attracted to personal films centered on interesting or obsessive characters and relevant to our time. I also appreciate economical narratives that work hard at the art of the subtle reveal. This was my way of combining both. I hope you enjoy.

High Maintenance recently won a Student Academy Award and was featured in Filmmaker Magazine. For More Information Please Visit the NEWS section.

Original Content Copyright © 2008 Phillip Van. All rights reserved.